![]() Seen in the 47th minute of the film, it captures Ariel marveling at her new legs, acquired in a trade for her singing voice so she can go on land to pursue Prince Eric.Ī Who Framed Roger Rabbit Roger and Jessica Rabbit Production Cel and Photo Background (Walt Disney, 1988)brought a winning bid of $19,200, more than seven times its estimate. Three dozen bids poured in for The Little Mermaid Ariel Production Cel (Walt Disney, 1989) until it closed at $36,000 more than seven times its pre-auction estimate. Among the highlights from the Renaissance films: The Disney Renaissance films those created since the mid-1980s enjoyed unprecedented auction success in the event. The Disney Renaissance films came into their own as a force to be reckoned with this sale." Disney animation art was front and center, with strong prices from the Golden Age of Disney to the Disney Renaissance films of the 1990s and early 2000s. ![]() We saw strong prices across the board for everything from major collections of vintage Disney maquettes to Disney World War II artwork, Disney Storybook art and even Disneyland Theme Park Props. "Every single lot sold to impressive results. "Our first 'All Things Disney!' auction was a home run," Heritage Auctions Vice President and Animation & Anime Art Director Jim Lentz said. The success of the event was beyond dispute, after it drew 4,136 global bidders who snatched up all 1,532 lots in the sale. But they also aptly describe Heritage Auctions' first "All Things Disney" February 4-7 Animation Art Signature® Auction which, thanks to Disney Renaissance films, Mickey Mouse and Mary Blair amassed $3,412,812 in sales. The lyrics to Walt Disney's Wonderful World of Color are known to generations of fans of the studio that bears the Disney name. It's a bit of extra work, for sure, but if you have the time, and if it's going to be one of those scenes that you really want to stand out, definitely keep it in mind.DALLAS, TX. But there's always that, usually, some little touch that you can add. And this is the kind of thing that a lot of people don't do anymore, because they'll do the sneak, and go, that's a great little walk and walk away. So you're just taking it up, like, one more degree. ![]() So it's a really nice way to add just a little bit of extra emotion and intensity to what is already a really, really nice sneak cycle. So, notice too the feet, if you watch this foot here as it touches the ground right there, there's a nice little shake if I go through frame by frame, as we go one to the other here, he's even scared to touch down. So we'll go from frame one of one to frame two of the next. And in the final version, we will then oscillate, or expose from one to the other. So that's the thing with the overlay again, so very subtle. All the hard work was done in the legs, all I've done is nudging some of the edges of the limbs a little bit. But it doesn't really involve reanimating anything. And it wasn't very much work to do this, because this was done in Adobe Animate, so all I had to do was to take a symbol for the head and rotate it, and if you're working in CGI, it means that you do one version of a walk, and the second version you just move the head up, move the hand down. I didn't change where the feet touch the ground, I gave the hands a motion, so that we're going to be oscillating now between each of these two versions. That's about as much variation in the second version, so they're very tiny, small changes. It looks exactly the same, it's not, so what I'm going to do now is overlay the first walk with the second walk, and you'll be able to compare them. So we have our sneak walk, he looks really scared. But let's see if we can take that animation, and now apply a zigzag stagger pattern to it. So if you're actually interested in the nuts and bolts of this, that's the course to watch. So here's a nice example of a sneak, and this is from a course I did previously on how to animate attitude walk cycles. Something in the 1940s style, the kind of thing you'd see in the old Preston Blair animation book. So I was curious to see to what extent we could apply the same thing to, like, a fully animated walk cycle. And so we had an extremely simple magic carpet walking into the wind, and there was a nice little flutter on him. In a pervious movie, I showed you how to use a stagger pattern, a zigzag stagger pattern, to create a shaking effect.
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